total descendants::6 total children::1 2 ❤️ |
Toto je veľmi pekný úryvok z Antioidipa (trochu som ho prehádzala kvôli "zrozumiteľnosti"). Dobre ilustruje D & G uvažovanie o schizofrénii nie ako limite ale stavu "za" týmto limitom, v rámci ktorého je túžba oslobodená od neurotickej oidipovskej represie. Dokonca čím ďalej čítam, tak tým viac mám pocit, že nekritizujú oidipov komplex vyslovene ako niečo "nereálne - vymyslené" - ale to, čo kritizujú, je výber oidipa ako referenčného bodu subjektu v psychoanalýze, ktorý považujú za výsledok buržoáznej spoločnosti a kapitalizmu. „How does one get through this wall, for it is useless to hit it hard, it has to be undermined and penetrated with a file, slowly and with patience, as I see it. „ (Antonin Artaud) Very few accomplish the breakthrough of this schizophrenic wall of limit, „quite ordinary people ,“ neverheless. But, the majority draw near the wall and back away horrified. Better to fall back under the law of the sígnífier, marked by castration, triangulated in Oedipus. So they displace the limit, they make it pass ínto the interior of the social formation, between the social production and reproduction that they invest, and the familial reproduction that they fall back on, to which they apply al! the investments. They make the limit pass into the interior of the domain thus described by Oedipus, between the two poles of Oedipus. They never stop involutíng and evolving between these two poles. Oedipus as the last rock, and castration as the cavern: the ultimate territoriality, although reduced to the analysťs couch, rather than the decoded flows of desire that flee, slip away, and take us where? Such is neurosis, the displacement of the limit, in order to create a little colonial world of one's own. But others want virgin lands, more truly exotic, families more artificial, societies more secret that they design and instítute along the length of the wall, in the locales of perversion. Still others, sickened by the utensílity (ľustensilité) of Oedipus, but also by the shoddiness and aestheticism of perversions, reach the wall and rebound against it, sometimes with an extrerne violence. Then they become immobile, silent, they retreat to the body without organs, still a territoriality, but this time totally desert-like, where all desiring production is arrested, or where it becomes rigid, feigning stoppage: psychosis. |
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