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uff, na twitteri sa da flejmovat? dobre, ze tam nie som :) ale kazdopadne komenty tohto typu su k tomuto mixu aj na soundcloude a na samotnom factmagu. pochopitelne, ludia si na tracklisty zvykli ako neoddelitelnu sucast mixov.

vzhladom na to, ze Blawan je Hessle boy, tak to odpoved dava nedavny rozhovor s Ramadanmanom pre FACT - http://www.factmag.com/2011/03/01/pearson-sound-objektivity

Fact: I’ve started to like it a lot when people don’t give tracklists for their mixes.

“Well we [Hessle] used to provide tracklists for everything, but we just kind of stopped. There’s been a lot of people nicking other people’s selections… not so much me, but like Ben [UFO], who’s not a producer, his pure appeal is in his selection, and he’s put a lot of hours, and sweat, and love into finding these records, only so someone can read his tracklists, and buy them in five minutes on Discogs… I mean why does he have to give a tracklist? If you ask Ben what a track is, most of the time he’ll tell you anyway. But again, we’re all guilty of it – if we see a mix with no tracklist, we’re less likely to download it. But then again, as soon as you see the tracklist, is there any point in downloading it? You already know how it’s going to sound. So yeah… I think mystery, mystery is good.”

je načase zabudnúť na predsudky a vrátiť kvaku na jedálne lístky




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pe:
 pe:      18.03.2011 - 10:40:57 , level: 1, UP   NEW
no na twitri to vyzera skor ako echo nad kdesi inde prebiehajucim flejmom, ale o to koncentrovanejsie a podozrivejsie, ked je timeline plny rovnakej temy:)

a re:factmag interview -- uplne s davidom suhlasim.