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| node: | thus spoke špongia in 'Správy Inšitútu pre samovolnú deštrukciu' |
| template: | 4 |
| parent: | Správy Inšitútu pre samovolnú deštrukciu |
| owner: | prihoda |
| viewed by: | |
| created: | 06.07.2004 - 16:24:41 |
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cwbe coordinatez: 101 63528 63583 629068 987953 ABSOLUT KYBERIA |
| permissions | |
| you: | r, |
| system: | public |
| net: | yes |
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a teraz vas postrasim :))
Grain, Sequence, System
Three Levels of Reception in the Performance of Laptop Music
Kim Cascone
http://www.fylkingen.se/hz/n4/cascone.html
"This essay discusses issues of performance from the point of view of how electronic music is received rather than how it is presented. Drawing on concepts found in "reception theory," I will examine three levels of reception inherent in the performance of laptop music as used in the performance of contemporary electronic music. These three levels are: the grain of laptop performance, the sequence of historical linkages, and the system of super-culture and its effect of the reception apparatus of the public."
Grain, Sequence, System
Three Levels of Reception in the Performance of Laptop Music
Kim Cascone
http://www.fylkingen.se/hz/n4/cascone.html
"This essay discusses issues of performance from the point of view of how electronic music is received rather than how it is presented. Drawing on concepts found in "reception theory," I will examine three levels of reception inherent in the performance of laptop music as used in the performance of contemporary electronic music. These three levels are: the grain of laptop performance, the sequence of historical linkages, and the system of super-culture and its effect of the reception apparatus of the public."