Róbert Špoták a Miriama Benková už nepracujú vo Fonde na podporu umenia, ale počas nášho výletu boli ešte len na odchode. Po deviatich rokoch v FPU sa Robo vypracoval na riaditeľa a Mirka po siedmych na jeho zástupkyňu. Fond považujú za aj svoje dieťa, mali odhodlanie zostať kým sa dá, ale ich odvolanie // výpoveď boli zároveň vykúpením. Hovoria o post-traumatickom strese a zlých snoch zo zasadnutí rady.

Žｅ ｍáš ａｊ ｔú ｓｋúｓｅｎｏｓť žｅ ｓａ ｔｕ ｄá ｓｐｒａｖｉť ｖｅľｍｉ ｋｖａｌｉｔｎá ｉｎšｔｉｔúｃｉａ． Ａ ｔá ｊｅｊ ｓｔｒａｔａ ｍａ ａｊ ｔａｋ ｐｏｐｃｈｌａ žｅ ｔｏ ｓａ ｎáｍ ｔｕ ｅšｔｅ ｍｕｓí ｐｏｄａｒｉť． Číｍ ｖｉａｃ ｅｎｅｒｇｉｅ ｓｍｅ ｄｏ ｔｏｈｏ ｖｒážａｌｉ ｔａｋ ｔýｍ ｖｉａｃ ｍａ ｃｈｙｔａｌａ ｔａｋá ｚａｎｏｖｉｔｏｓť ｚｏｓｔａť ｔｕ ａ ｎｅｄｏｖｏｌｉť ｉｍ ｚｎｉčｉｔ ｔｏ ｔｕ ｖšｅｔｋｏ ａ ｎａ ｄｌｈｏ． ／／ Ｍôｊ ｍｕž ｔｏｍｕ úｐｌｎｅ ｎｅｒｏｚｕｍｉｅ， ｌｅｂｏ číｍ ｄｌｈšｉｅ ｓｌｅｄｕｊｅ ｔú ｓｉｔｕáｃｉｕ ｏｋｏｌｏ ｆｏｎｄｕ ｔýｍ ｖｉａｃ žｅ ／／ ｍｙ ｍｕｓíｍｅ íｓť ｄｏ ｚａｈｒａｎｉčｉａ ｐｒｅč ａｓｐｏň ｎａ ｐáｒ ｒｏｋｏｖ． ／／ Ａ ｊａ žｅ ｔｅｒａｚ ｔｕ ｍｕｓíｍｅ ｅšｔｅ ｖｉａｃ ｏｓｔａť！ ／／ Ｈｅｊ ｐｏｔｏｍ ｍａ ｔｉｅž ｏｂčａｓ ｃｈｙｔí ｔａｋé žｅ ｍｙ ｍｕｓíｍｅ íｓť ｄｏ ｚａｈｒａｎｉčｉａ ａｓｐｏň ｎａ ｃｈｖíľｕ．Ａｌｅ ｖäčšｉｎｕ čａｓｕ ｊｅ ｔｏ ｐｒáｖｅ ｔａｋé žｅ ｎｉｅ ｊａ ｃｈｃｅｍ ｐｏčｋａť ｋýｍ ｔíｔｏ ｖｙｐａｄｎú ／／ ａ ｊａ ｃｈｃｅｍ íｓť ｎａ ｔｏ ｍｉｎｉｓｔｅｒｓｔｖｏ ｋｕｌｔúｒｙ ／／ ａ ｏｐｒａｖｏｖａť．

Miriama Benková a Róbert Špoták premýšľajú systémovo a neznášajú vybavovačky. Robo Špoták a Mirka Benková chcú žiť vo fungujúcej krajine a odmietajú relativizovať fakty len preto, že sa im to hodí. Majú priamu skúsenosť s diletantizmom rádoby-mocipánov a vedia reflektovať pôvod kultúrneho revanšizmu.

Ｔｏ ｊｅ ｏ ｔｏｍ žｅ ｍáš ｐｒｅｈｎａｎé ａｍｂíｃｉｅ ／／ ａｌｅ ｎｅｍáš ｎａ ｔｏ ａｂｙ ｓｉ ｂｏｌ ｕｚｎａｎý ｕｍｅｌｅｃ ／／ ａｂｙ ｐｏｖｅｄａｌｉ žｅ áｎｏ ｔｏ ｊｅ ＴＥＮ ｕｍｅｌｅｃ． ／／ Ａｌｅ ｍáš ｔｉｅ ａｍｂíｃｉｅ ａ ｎｉｅｋｔｏ ｉｃｈ ｖ ｔｅｂｅ žｉｖí ａｌｅｂｏ ｓáｍ ｉｃｈ ｖ ｓｅｂｅ žｉｖíš ａ ｎｅｄｅｊｅ ｓａ ｔｏ ａ ｈľａｄáš ｓｐôｓｏｂ ａｋｏ ｓａ ｋ ｔｏｍｕ ｄｏｓｔａť． Ａ ｔí ľｕｄｉａ ｎａｏｚａｊ ｓｋｏｎčｉａ ｖ ｔｏｍ Ｓｐｏｌｋｕ ｓｌｏｖｅｎｓｋýｃｈ ｓｐｉｓｏｖａｔｅľｏｖ ａｌｅｂｏ ｖ ｔｅｊ Ｍａｔｉｃｉ ／／ ｌｅｂｏ ｎｅｍａｊú ｉｎú ｍｏžｎｏｓť ｌｅｂｏ ｎｉｋｔｏ ｉｎý ｉｃｈ ｚａ ｒｅｌｅｖａｎｔｎýｃｈ ｎｅｏｚｎａčí． Ａ ｔíｔｏ ľｕｄｉａ ｉｃｈ ｚａ ｒｅｌｅｖａｎｔｎýｃｈ ｏｚｎａčｉａ． Áｎｏ． ／／ Ｔｙ ｓｉ ｎáš． ／／ Ｓｉ ｎａｊｌｅｐší．

S Robom a Mirkou sme strávili tri dni v Ľubietovej. Pili sme grepovičku a bortini, hrali vedomostnú hru Poznáš Slovensko?, hikeovali po Veporských vrchoch a rozprávali sa o občianskej spoločnosti, financovaní // stave kultúry a dôvere v inštitúcie.

Ｔｏ ｊｅ ｐｒｏｓｔｅ ｉｎｖáｚｉａ ｂａｒｂａｒｏｖ ／／ ｖｚｂｕｒａ ｐｒｏｔｉ ｅｌｉｔáｍ． Ａｌｅ ｔｅｒａｚ ｎｅｈｏｖｏｒíｍ žｅ ｍｙ ｓｍｅ ｔｉｅ ｅｌｉｔｙ ａｌｅ ｐｒｏｓｔｅ žｅ ｖｚｂｕｒａ ｐｒｏｔｉ ľｕｄｏｍ ｋｔｏｒí ｎｉｅčｏ ｏｖｌáｄａｊú ａ ｎｉｅčｏ ｖｅｄｉａ． Ａｌｅ ｖ ｉｓｔｏｍ ｂｏｄｅ ｓｉ ｍｕｓíš ｐｏｓｔａｖｉť ｈｒａｎｉｃｕ， žｅ ｚａ ｔｏｔｏ ｕž ｎｅｊｄｅš．／／ Ｎｅｂｕｄｅš ｓｉ ｐｒｉｓｐôｓｏｂｏｖａť ｆａｋｔｙ ａｂｙ ｔｏ ｓｖｅｄčｉｌｏ ｖ ｔｖｏｊ ｐｒｏｓｐｅｃｈ．Ｔｏ ｊｅ ｐｒｅ ｍňａ ｈｒａｎｉｃａ ｏｓｏｂｎá ／／ ｚａ ｔｏ ｊａ ｐｒｏｓｔｅ ｎｅｐôｊｄｅｍ．

Weltschmerzen Sabatikal je zážitkový podcast o umení a živote pre sústredeného poslucháča. Jeho cieľom je sprostredkovať pocit z toho, keď sa s niekým dobre porozprávate, aj s chaotickosťou // autenticitou hovoreného slova vrátane vulgarizmov. Toto nie je background listening, nielen kvôli nestálej k̯͎̰͉͙̦͕̽͜v̩̹̙̔̀̀a̼̞̪̝̤͇͆̈̃͞l̢̝̪ͭi̅̚̚҉͕̟ͅẗ͔̣̭̠̜̞́̒ͩͦ͢ͅę̪͕̓̉ͯ ̮̣͍ͧ͢z̢̺͉̰̠̜̰̦̟ͫ̉͗v̛͔̠̼̼̽͑u̿҉͖͓̮k̸̥̦͔̗͍̼͙ͫ̌u̙ͬͩͣͮ͠ͅ.̬̯͙͙̞̭ͧ̈́̊͘

Podcast nájdete na väčšine bežných podcastových platforiem, spotify, aj na bandcampe Weltschmerzen.

tvorbu podcastu z verejných zdrojov NEpodporil Fond na podporu umenia.

In search of beauty // heaviness since 2019.

Ahoj Kyberia <3 Weltschmerzen pred koncom roka opäť zvoláva na luxusnú party, labelový showcase, stretko a kamošský mikrofestival v jednom.
Budeme počuť veľa intenzívnej hudby, feliť a bilancovať všetko, čo nás v uplynulý rok stretlo (a čo nás v najbližších mesiacoch čaká). Očakávajte eskalujúci lineup v zložení toho najlepšieho // najaktuálnejšieho Weltschmerzen umelectva, plus exkluzívnu hostku z dánskeho Copenhagenu, (ktorej koncert sme túžili na Slovensku urobiť už keď sme Weltschmerzen zakladali).
Tentokrát sa vidíme v Novej Cvernovke!
Ďakujeme, dovidenia.
PS: Prinesieme aj platne!

𝙷𝚞𝚍𝚘𝚋𝚗é 𝚟𝚢𝚍𝚊𝚟𝚊𝚝𝚎ľ𝚜𝚝𝚟𝚘 𝚆𝚎𝚕𝚝𝚜𝚌𝚑𝚖𝚎𝚛𝚣𝚎𝚗 𝚞𝚟𝚎𝚍𝚒𝚎 𝚟 𝚜𝚘𝚋𝚘𝚝𝚞 𝟸𝟼.𝟽. 𝚅 𝚜𝚙𝚘𝚕𝚞𝚙𝚛á𝚌𝚒 𝚜 𝚔𝚞𝚝𝚕ú𝚛𝚗𝚘-𝚝𝚞𝚛𝚒𝚜𝚝𝚒𝚌𝚔ý𝚖 𝚌𝚎𝚗𝚝𝚛𝚘𝚖 𝙷á𝚓𝚘𝚟ň𝚊 𝚜𝚑𝚘𝚠𝚌𝚊𝚜𝚎 𝚝𝚘𝚑𝚘 𝚗𝚊𝚓𝚣𝚊𝚞𝚓í𝚖𝚊𝚟𝚎𝚓š𝚒𝚎𝚑𝚘, č𝚘 𝚟 𝚛𝚘𝚔𝚞 𝟸𝟶𝟸𝟻 𝚟𝚢𝚍á𝚟𝚊. Č𝚊𝚔á 𝚗á𝚜 𝚜𝚖𝚛šť 𝚒𝚗𝚝𝚎𝚗𝚣í𝚟𝚗𝚎𝚓 𝚎𝚕𝚎𝚔𝚝𝚛𝚘𝚗𝚒𝚔𝚢, ť𝚊ž𝚒𝚟é𝚑𝚘 𝚍𝚛𝚘𝚗𝚞 𝚊𝚓 𝚗𝚎𝚜𝚙ú𝚝𝚊𝚗é𝚑𝚘 𝚓𝚊𝚣𝚣𝚞.

With the world burning around us, the importance of the current moment is core, not to get lost. Focus on the important, i.e. the non-urgent, the ectoplasmic material in the cracks between the whirlwinds of hurry, angst and greed around. Scarred ourselves, yet with unrelenting blissful resistance to the unforgiving circumstances, an apocalypse is not about giving up. Circling around the chaos to find one’s own unique place(s), hailing and embracing the rare people that share their whereabouts. Connection, mutuality and community as the means to walk through the harsh cliffs of the world.
WRONG was the shock, the immediacy, the pursuit of a footing. The Next Last Day is a crude map of the territory; tracing a track, a watchful way through and home.

The Next Last Day is out June 27 on Cassette and streaming // digital. Listen // buy via our bandcamp and on all streaming platforms. The album is a collaborative release of Weltschmerzen and Anabasis Artist Collective

Daniel Kordik's new release TORZA is an experimental electronica album, which under his experienced guidance, transforms into audio poetry while at the same time it can be still considered dance music. TORZA is a radiant, pulsating work full of intrinsic rhythm, vibrating mid-bass, rumbling lows, and intense percussive sounds and engaging melodies. It evokes a dynamic cosmic metropolis in which a futuristic party is unfolding, ambient noises contagiously spreading throughout the space, infiltrating and filling the gaps between objects in order to set everything into an unpredictable dance.

TORZA is out March 14 on 12'' 180g black vinyl. Listen // buy via our bandcamp and on all streaming platforms.

the release of this album have been supported using public funding by the Slovak Arts Council.

Dark, heavy, ravishing. That is how one could describe Existence, the second album by Fokular - one of the most resolute figures on the contemporary experimental scene in Slovakia. On his second album on Weltschmerzen, Fokular reveals yet again his roots in the sludge // doom // stoner band Möbius, where, as one half of the duo, he pounds the drums. Fokular’s electronic sound is just as intense and uncompromising—filled with darkness and a creeping, mysterious intensity.

Existence is out February 28 on 12'' transparent red vinyl. Listen // buy via our bandcamp and on all streaming platforms.

the creation and release of this album have been supported using public funding by the Slovak Arts Council.

Martin Burlas bude mať sedemdesiat, nenávidí slnko a stále viac premýšľa nad smrťou. Hudba mu už neprináša toľko potešenia, a všetci sa s ním ajtak chcú rozprávať iba o jeho skupine Maťkovia. Lenže od čias Maťkov vydal Martin Burlas fúru albumov, a väčšinu z nich si vypočulo ešte menej ľudí, než si pustí tento podcast.

Áｎｏ ｂｏｌ ｓｏｍ ａｊ ｃｈｕｄｏｂｎý ａｌｅ ｍňａ ｖｌａｓｔｎｅ ｍｕｚｉｋａ ｖžｄｙ ｚａｃｈｒáｎｉｌａ． Ｖžｄｙ ｓｏｍ ｔｏ ｒｏｂｉｌ ｒáｄ ａ ｐｏｄľａ ｍňａ ｋｖôｌｉ ｔｏｍｕ ｓｏｍ ｐｒｅžｉｌ ａ ｎｅｚｂｌáｚｎｉｌ ｓｏｍ ｓａ ／／ ａ ｚｒａｚｕ ｍáš ａｋｏžｅ ｎａｄ šｅｓťｄｅｓｉａｔ ｒｏｋｏｖ ａ ｍáš ｐｏｃｉｔ žｅ ｔｉ ｔｏ ｊｅ úｐｌｎｅ ľａｈｏｓｔａｊｎé． Ｔａｋ ｊａ ｎｅｖｉｅｍ čｉ ｊｅ ｔｏ ｔｅｄａ ｔýｍ žｅ ｓａ ｕž ｎｅｐｏｔｒｅｂｕｊｅｍ ｚａｃｈｒáｎｉť ｌｅｂｏ ｖｉｅｍ žｅ ａｊ ｔａｋ ｔｏ ｚｌｅ ｄｏｐａｄｎｅ žｅ ｎｅｎｉ ｏ čｏ ／／ nｅｖｉｅｍ．

S Maťkom sme sa vybrali na prechádzku do okolia obce Buková. V lese sme sa skrývali pred slnkom a rozprávali o spoluprácach, strachu z tvorby, voľnej improvizácii a ukončovaní života // projektov.

Weltschmerzen Sabatikal je zážitkový podcast o umení a živote pre sústredeného poslucháča. Jeho cieľom je sprostredkovať pocit z toho, keď sa s niekým dobre porozprávate, aj s chaotickosťou // autenticitou hovoreného slova vrátane vulgarizmov. Toto nie je background listening, nielen kvôli nestálej k̯͎̰͉͙̦͕̽͜v̩̹̙̔̀̀a̼̞̪̝̤͇͆̈̃͞l̢̝̪ͭi̅̚̚҉͕̟ͅẗ͔̣̭̠̜̞́̒ͩͦ͢ͅę̪͕̓̉ͯ ̮̣͍ͧ͢z̢̺͉̰̠̜̰̦̟ͫ̉͗v̛͔̠̼̼̽͑u̿҉͖͓̮k̸̥̦͔̗͍̼͙ͫ̌u̙ͬͩͣͮ͠ͅ.̬̯͙͙̞̭ͧ̈́̊͘

Podcast nájdete na väčšine bežných podcastových platforiem, spotify, aj na bandcampe Weltschmerzen.

tvorbu podcastu z verejných zdrojov podporil Fond na podporu umenia.

Eustace Cranch is the alter ego of Bratislava based musician Marek Procházka who slipped through a world of "guitar music" and a bunch of prog/punk rock bands into producing electronic music with inspiration in IDM, glitchy breakbeats, and even tekno. This colorful evolution led to the birth of the anticipated debut album titled "Balon”, where the love for noisy production, intense tempos and endless sound bending through all sorts of machines is juxtaposed also by a more mellow introspective side with one foot in psychedelia.

Balon is out January 31 on 12'' marbled orange vinyl. Listen // buy via our bandcamp and on all streaming platforms.

the creation and release of this album have been supported using public funding by the Slovak Arts Council.

the creation and release of this album have been supported using public funding by the Slovak Arts Council.

On "SATIS," Kordik invites his listeners on a mesmerizing journey through sound and space. Each track masterfully combines pulsating rhythms and ethereal melodies, creating an immersive experience that resonates with the architectural visuals and aspects of the project.

This unique project was created as a soundtrack for the CE ZA AR 2023 Award (National Prize for Architecture) videos and is the result of a collaboration of Weltschmerzen and the Slovak Chamber of Architects.

SATIS is out May 31 on 12'' transparent clear vinyl. Listen // buy via our bandcamp and on all streaming platforms.

On "SATIS," Kordik invites his listeners on a mesmerizing journey through sound and space. Each track masterfully combines pulsating rhythms and ethereal melodies, creating an immersive experience that resonates with the architectural visuals and aspects of the project

This unique project was created as a soundtrack for the CE ZA AR 2023 Award (National Prize for Architecture) videos and is the result of a collaboration of Weltschmerzen and the Slovak Chamber of Architects.

SATIS is out May 31 on 12'' transparent clear vinyl. Listen // buy via our bandcamp and on all streaming platforms.

The Slovak trio Berlin Manson was created as a so-called apartment band in the dark times of Covid lockdowns. The founders Patrik Nagy and Adam Dragun compensated for their lack of cultural enjoyment by creating new and original music, where Patrik provided his DIY electronic beats with live guitar and Adam his lyrics full of sarcasm and criticism of the conditions of the scene and society.

Poor but Sexy is out March 30th on 180g heavyweight 12'' black vinyl. Begins shipping mid-May. Listen // buy via our bandcamp and on all streaming platforms.

the creation and release of this album have been supported using public funding by the Slovak Arts Council.

Their music is very minimalist, repetitive, still, the compositions // songs surprisingly evolve over time. The cold synths are beautifully augmented with raw or effected layers of Sajanova’s vocal. Of striking prominence is the decision to forgo the use of any beats or percussive elements. The whole album revolves just around vocals, synths, and layers, and the richness they possess enough within themselves. .

This goes in line with Suchy’s previous work, one of his trademarks being working mostly with melody and harmony, defying a lot of what is going on in contemporary experimental music. In a way, it is a strive to return to classical or pop 𝒎𝒖𝒔𝒊𝒄 in her deepest sense; experimental more in the use of sounds, approaches and forms, rather than defying the musical.

𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘦𝘯𝘥𝘴 // 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘰𝘬 // 𝘦𝘷𝘦𝘯 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘢 𝘥𝘰𝘨 // 𝘭𝘦𝘵’𝘴 𝘳𝘰𝘢𝘴𝘵 𝘢 𝘭𝘢𝘮𝘣 // 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘦𝘯𝘥𝘴 // 𝘵𝘩𝘪𝘴 𝘪𝘴 𝘮𝘺 𝘣𝘦𝘴𝘵 𝘥𝘢𝘺.

Decision Paralysis is out December 15th on a limited edition 12'' vinyl. Listen // buy via our bandcamp. And on all streaming platforms.

The Czecho-slovakian instrumental trio, Inheritance, invites you to rediscover their sonic journey with the reissue of their previous EPs, "Frames" (2014) and "Saturate" (2016), now elegantly entwined into a single captivating package released for the first time on vinyl, on Weltschmerzen. Comprising of the trio Jakub Volovár (guitar), Alex Strapková (piano), and Peter Kušnírik (drums), Inheritance was active in the mid 2010s in Brno, later unfortunately disbanding due to own personal pursuits.

Frames // Saturate embodies the melancholic and melodic tension characteristic of contemporary post-rock, complemented by the whimsy of piano-led instrumentals with a tint of indie-playfulness and a very slight yet powerful grain of sludge heaviness that can be traced back to Volovár's and Kušnirik's earlier post-metal project, Dawn to Come.

Frames // Saturate is first and foremost a compact sonic voyage. Volovár's evocative yet precise guitar work builds complex yet airy scaffolding, while Strapková's piano melodies create a tapestry of moods around it. Both EPs showcase Strapková's piano prowess, transforming each composition into a living organism. Kušnírik's drumming then acts as the steady pulse, guiding you through. These songs encapsulate the kind of mutualism and appreciation for (musical) interdependence that you can only develop throughout the years of practice and playing live.

Frames // Saturate is out November 17th on a limited edition 12'' vinyl. Listen // buy via our bandcamp. Soon on all streaming platforms.

The Czecho-slovakian instrumental trio, Inheritance, invites you to rediscover their sonic journey with the reissue of their previous EPs, "Frames" (2014) and "Saturate" (2016), now elegantly entwined into a single captivating package released for the first time on vinyl, on Weltschmerzen. Comprising of the trio Jakub Volovár (guitar), Alex Strapková (piano), and Peter Kušnírik (drums), Inheritance was active in the mid 2010s in Brno, later unfortunately disbanding due to own personal pursuits.

Frames // Saturate embodies the melancholic and melodic tension characteristic of contemporary post-rock, complemented by the whimsy of piano-led instrumentals with a tint of indie-playfulness and a very slight yet powerful grain of sludge heaviness that can be traced back to Volovár's and Kušnirik's earlier post-metal project, Dawn to Come.

Frames // Saturate is first and foremost a compact sonic voyage. Volovár's evocative yet precise guitar work builds complex yet airy scaffolding, while Strapková's piano melodies create a tapestry of moods around it. Both EPs showcase Strapková's piano prowess, transforming each composition into a living organism. Kušnírik's drumming then acts as the steady pulse, guiding you through. These songs encapsulate the kind of mutualism and appreciation for (musical) interdependence that you can only develop throughout the years of practice and playing live.

Frames // Saturate is out November 17th on a limited edition 12'' vinyl. Listen // buy via our bandcamp. Soon on all streaming platforms.

Hudba k filmu by Ujko
napiču marec 2022.

Weltschmerzen is extremely proud to present Foreigners for the first time ever on vinyl, a plan always used to be. The music has been there for over 10 years and will live forever. We are honoured we can be a part of this albums’s story and present it, for the first time, in the physical form including a booklet of Tomas’s artworks, to the people for whom The Bridgeheads always meant so much.

URN is Jakub Volovar, a long-recurring persona on the Slovak experimental music scene. DEVEQUT is URN’s third solo album, and his first collaboration with Weltschmerzen. It offers multiple modes of listening. It could be Christmas music, or an album that you listen to driving through a barren winter country, a desolate mountain pass, or by a fireplace. Not an electronic album, neither an acoustic one. Not entirely jazz or trap, but… there is just so much gleaming through.

Collage is an approach that works really great, unless you make it fall apart. DEVEQUT presents a journey through a range of sounds, moods and genres and in the span of only 8 tracks, make us glance into what goes on in Volovar’s head and heart. It’s 8 tracks that neither Bohren and der Club of Gore, Flying Lotus, Erik Honoré, nor Arca would feel ashamed for. DEVEQUT does not, at any moment, fall apart.

DEVEQUT is out November 17th as a digital release. Listen // buy via our bandcamp. Soon on all streaming platforms.

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