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| node: | Gone Girl Fincher - 6K workflow |
| template: | 4 |
| parent: | Film creating practically |
| owner: | sfilipum |
| viewed by: | |
| created: | 28.10.2014 - 11:15:02 |
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cwbe coordinatez: 809096 1300547 1184322 7742832 ABSOLUT KYBERIA |
| permissions | |
| you: | r, |
| system: | public |
| net: | yes |
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http://postperspective.com/gone-girl-light-iron-david-finchers-path-6k/ #mustread
People sometimes ask, ‘Why didn’t you work off the Red files?’ Well, there really were no Red files in this film by the time it got to DI because nearly everything had an effect on it. It was either stabilized, zoomed, composited or had visual effects applied so the Red files are gone at that point.”
Such a Fincher way of perfection
“Gone Girl is the world’s first 6K DI feature and this is the world’s first 5K DSM,” says Cioni. “But we couldn’t have done it without the help of Quantel and Adobe as well as David and his team of artists who aren’t afraid to keep pushing the boundaries.”
People sometimes ask, ‘Why didn’t you work off the Red files?’ Well, there really were no Red files in this film by the time it got to DI because nearly everything had an effect on it. It was either stabilized, zoomed, composited or had visual effects applied so the Red files are gone at that point.”
Such a Fincher way of perfection
6K DI Diary from Light Iron on Vimeo.
“Gone Girl is the world’s first 6K DI feature and this is the world’s first 5K DSM,” says Cioni. “But we couldn’t have done it without the help of Quantel and Adobe as well as David and his team of artists who aren’t afraid to keep pushing the boundaries.”