::photography knowledge base :: Something smarter than us is going to emerge


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created:	27.04.2004 - 09:24:44
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photography/digital photography knowledge base

prosim datanody & articles do tejto nodeshell

pripomienky, tipy, triky, zlepsovaky & prava zapisu posta: epxd, deadcat, ea,oryon, sn0wcrash, maniac

NOTE ::data nodes - ak by niekto prejavil zaujem o niektoru s kniziek, treba mi postu napisat - nieco s tym spravim
ea

0000010100063537007589480075898704905501

Digital_Photography_Workflow_Handbook_-_DOP2000_-_2004.pdf

iii
Contents
1 introduction............................................................................................13
1.1 Introduction to the Digital Photography Workflow...................................14
1.2 How to use this book / how this book is organized..................................15
1.3 Using PCs and Macs...............................................................................16
1.4 Computer configuration...........................................................................17
1.5 What are Raw files..................................................................................18
1.5.1 The raw file advantage?.............................................................18
1.5.2 Color Aliasing / Moirés...............................................................24
1.6 What about only using JPEG and not raw?.............................................25
1.7 Capturing photos in the field....................................................................27
1.7.1 Optimize exposure using your camera’s histogram...................27
1.7.2 Color channel clipping................................................................28
1.7.3 Correct white balance (WB) for optimal color quality.................30
1.7.4 Understand objective and subjective white balance...................31
1.7.5 Adjust your camera’s sensitivity: selecting the right ISO............31
1.8 Workflow Overview..................................................................................31
1.8.1 Principle Workflow Steps (The “What”)......................................32
1.8.2 Essential Digital Image Processing Knowledge (The “How”).....33
1.8.3 Advanced Digital Image Processing Knowledge........................34
1.9 Camera to computer: enter the digital darkroom.....................................35
1.9.1 Manage your image storage.......................................................35
1.9.2 Computer transfer and organizing your photos..........................35
1.10 Securing your valuable photos: Backup..................................................39
1.11 The digital negative/slide.........................................................................39
1.12 The digital light table...............................................................................40
1.12.1 Image previews with the Photoshop CS File Browser..............40
1.12.2 Image previews with the Capture One DSLR (C1)...................41
1.12.3 Image previews with ThumbsPlus (PC only)...........................43
2 Digital Darkroom Basics........................................................................44
2.1 Don’t be afraid of Photoshop...................................................................45
2.2 Understand the different Color Modes....................................................45
2.2.1 RGB color mode.........................................................................45
2.2.2 LAB color mode..........................................................................46

iv
2.2.3 CMYK color mode......................................................................46
2.2.4 Grayscale Mode.........................................................................47
2.3 Introduction to Color management..........................................................47
2.3.1 Why you need to understand color management.......................47
2.3.2 Color working spaces.................................................................52
2.3.3 Profiles for devices.....................................................................53
2.3.4 Photoshop color and monitor profile settings.............................54
2.4 Browse your photos.................................................................................57
2.4.1 Opening files by dropping them onto Photoshop.......................57
2.5 Simple image rotation..............................................................................58
2.6 Inspecting your image.............................................................................58
2.7 Know the difference between 8 and 16 bit per channel data..................60
2.7.1 Why use 16 bits per channel?....................................................60
2.8 Control image size and PPI.....................................................................63
2.8.1 Pixel dimensions........................................................................63
2.8.2 Document size............................................................................63
2.8.3 Scaling and resizing...................................................................64
2.8.4 Changing PPI.............................................................................64
2.8.5 Upsizing images.........................................................................65
2.9 select the right image file formats............................................................67
2.9.1 TIFF............................................................................................67
2.9.2 JPEG..........................................................................................67
2.9.3 JPEG 2000.................................................................................68
2.9.4 Photoshop PSD..........................................................................68
2.10 File Info and History................................................................................69
2.10.1 File Info.....................................................................................69
2.10.2 File History...............................................................................69
2.11 dynamic range, contrast AND BRIGHTNESS.........................................72
2.11.1 Improve your image with levels................................................72
2.11.2 Gain more flexibility using Curves............................................74
2.11.3 Photoshop CS Shadow/Highlight tool ......................................77
2.12 The art of sharpening..............................................................................80
2.12.1 USM (Unsharp Mask)...............................................................80
2.12.2 How Photoshop Unsharp Mask works.....................................80
2.12.3 The two step approach.............................................................83

v
2.12.4 Sharpening Tools.....................................................................84
2.13 Improving Colors.....................................................................................85
2.13.1 Achieving white balance in your images..................................85
2.13.2 Photoshop Hue/Saturation tool ................................................89
2.13.3 Photoshop CS Photo Filter.......................................................92
2.13.4 A note on Saturation.................................................................93
2.14 Making Selections...................................................................................94
2.14.1 Marquee tool ............................................................................94
2.14.2 Adding and subtracting Selections...........................................94
2.14.3 Lasso tool.................................................................................95
2.14.4 Magic Wand tool.......................................................................96
2.14.5 Color Range.............................................................................97
2.14.6 Feather Selections...................................................................97
2.14.7 Invert Selections.......................................................................98
2.14.8 Selection Borders.....................................................................98
2.14.9 Saving and loading Selections.................................................98
2.15 Clean up images with Healing Brush and Patch tool ............................101
2.15.1 Retouching dust spots............................................................101
2.15.2 Patch tool...............................................................................102
2.15.3 Using Selection with the Healing Brusch................................104
2.16 Improve your workflow with Actions......................................................106
2.16.1 Your first Action......................................................................107
2.16.2 Open dialogs inside Actions...................................................108
2.16.3 Saving and loading Action Sets..............................................109
2.16.4 Adding new steps to your Action............................................109
2.16.5 Rearranging and deleting steps in Actions.............................109
2.16.6 Change the settings for a single step.....................................110
2.17 The power of Photoshop History...........................................................111
2.17.1 Snapshots..............................................................................112
2.17.2 Purge History..........................................................................112
3 Using Raw Converters.........................................................................113
3.1 The RAW Workflow...............................................................................114
3.2 Principle Workflow Steps.......................................................................115
3.2.1 RAW Converter Responsibilities..............................................115
3.2.2 RAW Converter Essentials.......................................................117

vi
3.2.3 Other important Features.........................................................121
3.2.4 Some MORE useful features....................................................123
3.3 Adobe Camera Raw 2.0 (ACR).............................................................125
3.3.1 Integration into the Photoshop CS File Browser.....................127
3.3.2 Camera Raw 2.0 User Interface Overview...............................128
3.3.3 Advanced File Browser integration...........................................146
3.4 Phase One’s Capture One DSLR (C1)..................................................149
3.4.1 Setup........................................................................................150
3.4.2 Raw file browser.......................................................................152
3.4.3 Image Processing.....................................................................153
3.5 Nikon Capture.......................................................................................160
3.5.1 Setup........................................................................................161
3.5.2 Main Features..........................................................................163
3.5.3 White Balance (WB).................................................................166
3.5.4 Save and load settings.............................................................167
4 Using Photoshop Layers.....................................................................168
4.1 Understanding the Layers palette.........................................................170
4.2 Your first layer.......................................................................................173
4.2.1 Changing opacity......................................................................174
4.2.2 Understand Blending modes....................................................175
4.3 Fine tuning with Adjustment Layers......................................................177
4.4 Work selective with Layer Masks..........................................................179
4.4.1 Understanding Layer Masks.....................................................181
4.5 Flatten images and merging layers.......................................................181
4.5.1 Flatten image............................................................................181
4.5.2 Merging Layers.........................................................................182
4.6 Apply actions and filters in new layers..................................................184
4.7 Smart cropping......................................................................................186
4.7.1 Using the Crop tool...................................................................186
4.8 Minimize S-Curve side effects...............................................................192
4.9 How to remove moirés..........................................................................195
4.10 Use Auto Colors to tune contrast..........................................................197
4.11 Optimize layers with Advanced Blending options..................................203
4.12 Dodge and burn using Layers...............................................................205

vii
5 Basic Digital Workflow........................................................................209
5.1 Pre raw conversion steps......................................................................210
5.1.1 Capturing photos in the field.....................................................210
5.1.2 Transfer images to you computer.............................................211
5.1.3 Backup your images.................................................................212
5.1.4 Preview Images........................................................................212
5.2 RAW conversion phase (not for JPEGs)...............................................214
5.3 Processing after the raw conversion.....................................................215
5.3.1 Removing Noise.......................................................................215
5.3.2 Remove moiré or aliasing artifacts...........................................216
5.3.3 Crop Now, if You Need To Save Some Time...........................216
5.4 Improving and Retouching using Photoshop Layers.............................217
5.4.1 Improve Levels.........................................................................217
5.4.2 Remove Colorcast (WB)...........................................................217
5.4.3 Improve exposure with the Photoshop CS Shadow/Highlight tool218
5.4.4 Recovering Shadow Detail.......................................................218
5.4.5 Improve Contrast using S-Curves in a Curves Adjustment Layer218
5.4.6 Correcting Brightness with Curves...........................................220
5.4.7 Improve Saturation...................................................................221
5.4.8 Selective Color Corrections......................................................221
5.4.9 Retouching and removing dust spots.......................................222
5.4.10 Perspective Correction...........................................................222
5.4.11 Lens Correction......................................................................223
5.4.12 Sharpening.............................................................................224
5.4.13 Save the Result AS A layered 16Bit Master PSD or TIFF......224
5.4.14 Printing & Publishing..............................................................224
5.4.15 Archiving.................................................................................224
6 Advanced Photoshop Workflow Techniques....................................225
6.1 Selective saturation improvements.......................................................226
6.2 More Saturation and Contrast Tricks.....................................................231
6.3 Digital Perspective Corrections.............................................................240
6.4 Refined Perspective correction.............................................................242
6.5 Correct your Lens Distortions................................................................246
6.6 Handle Blue Shadow Casts...................................................................248
6.7 Using Luminosity masks........................................................................256

viii
6.7.1 Sample session with luminosity mask......................................256
6.8 Contrast Masking..................................................................................262
6.9 Refine your image with Painting Techniques........................................267
6.9.1 Painting using Layer Masks.....................................................267
6.10 Gain higher Resolution through Stitching..............................................271
6.11 Stitching in Photoshop CS.....................................................................272
6.12 Advanced sharpening with layers..........................................................280
6.12.1 Advanced sharpening tricks...................................................281
6.13 Adding some digital “sun”......................................................................293
6.14 Brushing off your noise..........................................................................297
6.15 Reduce Chromatic Aberration (CA).......................................................300
7 Useful Photoshop Tools......................................................................304
7.1 iCorrect Editlab: Controlling color cast..................................................305
7.2 Overview on third party sharpening tools..............................................305
7.2.1 Nik Sharpener..........................................................................305
7.2.2 Fred Miranda’s Sharpening Plug-ins........................................306
7.2.3 FocalBlade...............................................................................306
7.2.4 Photokit SHARPENER.............................................................306
7.3 Color Mechanic: Selective Color Correction..........................................307
7.4 Remove the Noise and Keep the Detail................................................307
7.4.1 Neat Image...............................................................................307
7.4.2 Noise Ninja...............................................................................307
7.4.3 Fred Miranda’s Noise Removal plug-ins..................................308
7.5 Fred Miranda’s Photoshop Tools..........................................................308
7.6 Pixel Genius..........................................................................................308
7.7 Nik Multimedia.......................................................................................308
7.8 Powerretouche......................................................................................308
8 Printing & Publishing...........................................................................309
8.1 Lightjet Printing......................................................................................310
8.2 Inkjet Printing.........................................................................................311
8.2.1 Note on Metamerism................................................................311
8.3 Setup for Epson Printers and use with Photoshop................................313
8.3.1 Setup the Epson Drivers..........................................................313
8.3.2 Printing in Photoshop...............................................................315

8.4 Upsizing.................................................................................................316
8.5 Other Printing Applications....................................................................317
8.5.1 ImagePrint RIP (Mac and PC)..................................................317
8.5.2 Qimage (PC only).....................................................................318
8.6 Present your Photos on the Web..........................................................320
9 Creating B&W Photos from Color Images.........................................325
9.1 Turn Color Images into B&W.................................................................326
9.2 B&W using Channel Mixer....................................................................327
9.3 Advanced B&W conversion...................................................................331
9.4 B&W using a Photoshop Plug-in...........................................................336
9.5 Colorizing your images..........................................................................341
9.6 B&W Workflow with ARC and C1.........................................................345
9.6.1 Color Conversion techniques...................................................345
9.6.2 B&W with ARC 2.0...................................................................346
9.6.3 B&W with Capture One DSLR..................................................349
10 Backup and Archive Your Images......................................................355
10.1 Backup..................................................................................................356
10.1.1 What do you need to backup?...............................................356
10.1.2 Backup media.........................................................................356
10.1.3 Backup Storage......................................................................357
10.1.4 A note on Raw Files...............................................................357
10.2 Archiving................................................................................................358
10.2.1 ThumbsPlus Pro (PC only).....................................................358
REFERENCES.................................................................................................360

0000010100063537007589480075898704905494

Digital_Photography_-_Acquisition_And_Processing_Techniques_By_Ron_Reznick.pdf

Table of Contents
Acquisition
Exposure and the Histogram
Definition of Terms........................... 4
The Histogram Defined .................... 6
Evaluating Luminosity ..................... 7
Understanding Color ........................ 10
Working with Color .......................... 11
Metering
Which one do I choose and Why?..... 13
Matrix .................................................15
Spot .....................................................16
Center................................................. 17
Composition
“the rule of thirds” ............................ 18
Guiding the eye ................................. 19
Angles, near/far technique ............... 20
Closeup work ..................................... 21
Using the focused plane .................... 22
Breaks in convention & luck ............ 23
Architectural lines ............................ 24

Tips and Tricks ................................... 26
Images for your Enjoyment ............... 28
Processing
The Digital Workflow
The Transfer Process......................... 29
IPTC Caption/Transfer Options....... 30
Performing a Transfer....................... 31
Batch Processing................................ 32
The Selection Process........................ 33
Image Processing
Nikon Capture Program Setup ......... 34
Great Egret ........................................ 37
Black Crowned Night Heron ............ 41
Jean-Claude ........................................ 46
Chilean Jasmine ................................ 50
The Vietnam Memorial .................... 55
Hard Rock Stratocaster ..................... 58
Moose at Sunrise ............................... 61
Tomb of the Unknown Soldier ......... 65
Digital DEE: an overview ................. 68
Jackson Lake, Grand Tetons ............. 71
Photoshop Processing
CS RAW — BC Night Heron............. 74
Post-processing .................................. 78
Lenses (from Digital-Images.net) ......... 86 Introduction.......................................... 3

000001010006353700758948007589870490549406349894

Ahojte fotomaniaci, nemate nahodou niekdo tento stroj alebo podobny na kalibraciu monitora http://www.northlight-images.co.uk/article_pages/spyder2pro.html by som si ho rada zapozicala, dam aj poplatok za pouzitie napriklad 20euro...

0000010100063537007589480075898703020492

SCULPTING IN TIME
Andrey Tarkovsky was born in Zavrozhie on the Volga in 1932. In 1960 he graduated from the Soviet State Film School with his first film The Steamroller and the Violin. He made five more films in Russia: Ivan's Childhood, 1962, Andrey Rublyov, 1966, Solaris, 1972, Mirror, 1978 and Stalker, 1979. In 1983 he made Nostalgia in Italy and his last film, The Sacrifice, was made in Sweden in 1986.
He died in Paris on 29 December 1986.

"Some fifteen years ago, as I was jotting down notes for the first draft of
this book, 1 found myself wondering whether there really was any
point in writing it at all. Why not just go on making one film after
another, finding practical solutions to those theoretical problems
which arise whenever one is working on a film?"

Andrey_Tarkovsky_-_Sculpting_in_Time_(2nd_edition_1987).pdf
download: http://www.sendspace.com/file/bpwy3f

000001010006353700758948007589870302049203377744

hm, prepac, ze takto neskoro, som tu vobec nebola cely cas...:-)...dala by som to sem, ale neviem este ako, este som nic neposielala...

000001010006353700758948007589870302049203346018

no rad som si pozrel vsetky
http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/ThePhotos.html

ale tieto ma dostali
http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/ThePhotos/Walther_gallery.html

000001010006353700758948007589870302049203345961

a nostalgiu si videl? lebo mam ju ak by teda nieco...

00000101000635370075894800758987030204920334596103346468

nevidela, prosim si :)

000001010006353700758948007589870302049203113637

pripajam sa ze vivat tarkovkeho filmy.....

000001010006353700758948007589870302049203101590

haluzár to bol...na tú dobu...videla som stalkera a naposledy zrkadlo a z kina sme vyšli a nevedeli hodinu kto čo povedať...no a keď sme sa o zrkadle začali rozprávať, tak sme prišli na to, že každý bol asi
na inom filme ;-)

000001010006353700758948007589870302049203071504

dakujem za knizku :)

000001010006353700758948007589870302049203037373

Velmi sa na tu knihu tesim, dakujem.

000001010006353700758948007589870302049203037005

len mne nejdu tie knihy vobec? hocico nech chcem stiahnut vypise to ze ERROR: Empty file to download.wtf?

00000101000635370075894800758987030204920303700503070649

jj, a pritom je to cerstve pridane, a to je tu tolik knizek ktere bych chtel sosnout a zadna nejde :(

0000010100063537007589480075898703020492030370050307064903101740

eh, jesus som myslela ze vam dako zapne samovolne:
datanody nefunguju, mas tam link v prispevku, treba citat

000001010006353700758948007589870302049203022380

by som pozrel zas dajaky ten filmek od Tarkovskeho teda...

fakt makac to bol :)

0000010100063537007589480075898702464317

nechcem radiť komu netreba, ale dovolil som si spísať tieto body pre ľudí, čo by aj radi na dovolenke nafotili dobré zábery, ale riešia furt tie isté pičoviny i keď navštívili veľmi fotogenické destinácie. tiež som si dovolil priložiť nejaké zábery z dovolenkového archívu. snáď to niekomu pomôže, minimálne tým, čo sa ma na niečo podobné pýtali. (upozorňujem, že všeobecné rady, ako fotiť, nespomínam;)

vyvarujte sa preboha fotkám, tuto sa postav, počkaj odfotím ťa. ak je na fotke dôležitejšie miesto ako osoba, nemala by čumieť do objektívu. snažte sa využiť celú plochu fotky. osobne sa mi nepáčia fotky miesta bez osoby, ale záleží na fotogenickosti osoby, že.

nikde nie je povedané, neviem prečo tak všetci fotia, že osoba musí byť na fotke celá a v strede. fotky bez hlavy rulez :)

skúste fotiť ľudí namiesto architektúry, aj keď ste to nikdy nerobili. dovolenka je ideálny čas nedostať za to nahubu, všade je plno turistov a s foťákom ste nenápadný, lebo každý je s foťákom. kašlem vám na fotky budov.

modrá obloha bez mrakov je ohovne. na letnej dovolenke je to problém, ale treba počkať na búrku ;),

alebo aspoň na nejaké oblaky. polarizačný filter pomôže ;)

zábery z dovolenky nemusia byť čisto miesto popisné. stačí keď vám pripomenú atmosféru.

fotky z dopravného prostriedku nemusia byť nutne nahovno. niekedy je okolie cesty zaujímavé a nedá sa vždy zastaviť. nesnažte sa zakryť, že je to za jazdy.

fotky z prípadného lietadla sú jasná nutnosť :)

vyvarujte sa: prepalenej (bielej) oblohe,

osobám ktoré zaberajú 5% fotky, pričom na tých 95% nie je nič,

fotkám napoludnie z pláže!!,

fotkám západu slnka (moja osobná požiadavka ;),

snahe vtesnať do záberu to, čo sa vám tam kurva nevojde (odrezať ľudí pod krkom, len aby ajfelovka bola cela),
ak fotíte samé popiči umelecké fotky, nezabudnite miesto, kde ste sa na dovolenke zdržiavali, nafotiť aj dokumentačne a na široko, aby ste na "ukáž, kde ste bývali" mali čo ukazovať.

posprocess veľmi pomôže. tu je každá rada drahá, snáď niekedy nabudúce. (všetky tieto fotky šli cez curves pomocou adjustment layers, cez masku osobitne stred a osobitne rohy. plus sem tam sepia photo filter v cs2 cca na 40%).

na záver jedna veľmi doležitá vec! fotky pred tým, ako ich budete niekomu ukazovať, riadne prerieďte. prezerať si 400 cudzích fotiek z dovolenky je morda. maximum je 25. ďakujem .)

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tento rok zadna dovolena, zadne fotky

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trendy kokotiny

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Ja dám radu ako fotí Binary.
na 99% musí byť ona, potom 5% z mesta kde je.
Najlepšie žúrky.
A hlavne, nech má stále rovnaký ksicht, a našpúlené pery musia byť :)
no offence pls

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presne tak! na vecne casy

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absolutne s vami suhlasim a podpisujem v plnom rozsahu.

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1.súhlas+neplatí to vždy ale v drvivej väčšine je kompozícia fotografie najlepšia ak osoby nestrčím do stredu ale do zlatého rezu viď http://chcem.info/ako-fotit/zlaty-rez.php
2. tak to je dosť blbosť niekedy je tá amatérska fotochirurgia na zaplakanie aj keď samozrejme nie vždy je ideálne postavy fotiť celé
3.celkom súhlas,osobne sa snažím zachytiť atmosféru ktorá je prevažne v ľuďoch a nie v budovách no niekedy ich využijem ako nenudné pozadie
4.jj pravda ale su typy gycfotiek kde modra pasuje-kto na to má používajte filtry
6. nezabudnúť sa snažiť priložiť objektív čo najbližšie k oknu(ak to nie je jeep safari ;)) aby nevznikali odlesky.osobná požiadavka-letecké foto obmedzte na minimum
7.ten západ slnka je podľa mňa fajn keď tvorí pozadie k niečomu inému samozrejme treba byť už trochu zručnejší-protisvetlo robí galibu ale napr. také siluety meditujúcich ludi pri zapade su v poho imho
8-10 naprosty suhlas

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velku cast rad sme pred troma tyzdnami vyuzili :) ale "rozrobit/vyvolat" vo fotosluzbe sme dali aj tak len tie velavravne zabery - pre pribuznyx, aby bolo co opisovat na navstevax /"jeej, more, cajky, palmy, plaxetnica, morske specialitky" atd./.. vsak dobre aj tak :)))

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zvysok tu

Hoci som si totok tutok precitala az teraz, myslim, ze aj bez toho som to podla pravidiel celkom zvladla :) a bod cislo dva podporujem vseobecne, nie len pri dovolenke ;)

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nádherné zábery

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S tym fotenim ludi je to fakt pravda. Minule ked som bol vo france tak som si povedal ze neodfotim ani jednu historicku pamiatku a ze budem fotit len ludi a hlavne ludi ktori fotia. A naozaj. Aj ma to ovela viac bavilo a aj pri ukazovani fotiek je to 'more fun'. A podaktofe fotoze aj celkom pekne potom vysli

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ja som bol tiez teraz v parizi a chcel som sa silou mocou drzat pravidla 3. No nemam taku odvahu ...aspon zatial. pofotil som si klasicke veci, co su v parizi zasadou, no ludi len par aj to z dialky zazumovanych, ked sa nepozeraju :)

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ano, vim co tym myslis, mne je tiez blbe ist do mesta a fotit nahodnych ludi... Je tu niekto taky ktory to uz skusal?

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Dakujem, vezmem si tie rady k srdcu.;]

Pekne fotky.

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velmi dobry navod:)
mozno by som pridala este dve skoro univerzalne rady:

1)chod blizsie

2)daj si spravit vacsie fotky

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bod 10!!!! :)

axone main