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| node: | 18.01.2011-23:52:49 |
| template: | 4 |
| parent: | Supercollider |
| owner: | jonas |
| viewed by: | |
| created: | 18.01.2011 - 23:52:49 |
| updated: | 20.01.2011 - 21:26:37 |
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cwbe coordinatez: 101 63528 63553 5689528 5769949 ABSOLUT KYBERIA |
| permissions | |
| you: | r, |
| system: | public |
| net: | yes |
total descendants::8
total children::5
Tak co, riesite to niekto? Pre inspiraciu vam tu hodim jeden moj superlahky patch :)
V podstate to filtruje PinkNoise skrz rezonujuci filter Klank (pozrite si manual). Jemu zadavam defaultne nejake frekvencie (50, 150.. ) a amplitudy (1, 0.95... ). Aby to nebolo take nudne, rozdelil som to na stereo hranatymi zatvorkami (najjednouchsi sposob), pricom pri druhom (pravokanalovom) outpute su defaultne frekvencie a amplitudy vynasobene 1.5 (m konstanta).
(
SynthDef(\mojklank, { |freq = #[ 50, 150, 250, 350, 450, 550, 650, 750, 850, 950 ], ampl = #[ 1, 0.95, 0.9, 0.85, 0.8, 0.75, 0.7, 0.65, 0.6, 0.55 ], m = 1.5|
Out.ar(0, [Klank.ar(`[freq,ampl], PinkNoise.ar(0.01)),
Klank.ar(`[freq*m,ampl*m], PinkNoise.ar(0.01))])
}.scope).load(s)
)V podstate to filtruje PinkNoise skrz rezonujuci filter Klank (pozrite si manual). Jemu zadavam defaultne nejake frekvencie (50, 150.. ) a amplitudy (1, 0.95... ). Aby to nebolo take nudne, rozdelil som to na stereo hranatymi zatvorkami (najjednouchsi sposob), pricom pri druhom (pravokanalovom) outpute su defaultne frekvencie a amplitudy vynasobene 1.5 (m konstanta).