no mozu byt experimentalnejsie z isteho pohladu, ale nemusia pasovat do zaberu/dramaturgie nextu. pre dalsiu ilustraciu vid festivaly "novej hudby" a ze co sa tam hra a nakolko sa to da povazovat za nove, a ako by to islo dokopy napriklad s takym timbalandom, ktory napriek tomu, ze posobi v oblasti nakomercnejsieho bitchpopu, je vseobecne povazovany za najvacsieho inovatora dekady... su to rozdielne hudobne diskurzy asi.

inac pre mna je tiez momentalne hudobne najvzrusujucejsie a najexperimentalnejsie spojenie uplneho bordelu s uplnym popom:), ale podla 2 rocnikov co som doteraz zazil, next jednoducho nie je o tom a ani to nnejak neocakavam - mozno nespravne.

ad timbaland:
It would be easier to just come up with one thing that was musically great about the decade, because it would probably be Timbaland. I still propose that "Get Ur Freak On" permanently stopped experimental instrumental electronic music in its tracks. His casual brilliance in the studio has humbled us all at some point. matthew herbert
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The Timbaland Era
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BONUS
“That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production
Abstract
This article investigates the music created by current rap and R&B producers such as Timbaland and Pharrell Williams in order to understand how their works evoke certain constructions of sonic space. The opaque, spare, two-dimensional qualities of the virtual spaces assembled by these artists serve as a useful window onto broader cultural forces, such as the peculiar short circuit of space and temporality that Paul Virilio evokes in his concept of “telepresence.” The author argues that the sonic construction of telepresence allows contemporary black music to comment upon the notion of “biopolitics,” the reduction of the political to the horizon of the body. (lol)