dajte cely link
http://www.boredpanda.com/domestic-bliss-family-photography-susan-copich/

:)

more: http://monsterlegacy.wordpress.com/2013/07/11/monster-gallery-pacific-rim-2013/

http://alexandreev.livejournal.com/

hollywood vymysla, bluzni a potom zavrhuje. takto mal vyzerat Jursky Park 4.

hlavna idea: "genetically engineered human-dinosaur hybrids that were super smart gun-toting mercenaries."

scenarista Hellboya reziruje fantasy z druhej svetovej vojny. triky Weta Digital (Avatar, Lord of the rings)
http://www.imdb.com/title/tt1596576/

concept art k polskemu filmu HARDKOR 44







interview s autorom malieb
http://opium.org.pl/2009/07/29/an-interview-with-kuba-jablonski-art-director-of-hardkor-44/

Neskutocne super a rozsiahla zbierka konceptov na hru "Zaklinac". Zozbieral som dokopy a dal do jedneho rar-u.

super skicar od Jeremy Love

novy prispevok od Zhang Lu

link

Info o diani na conceptart.org, hlavne aktualizovanie "weekly activities". Okrem toho prosim o info o dalsom Last Man Standing 4, ak niekde zachytite

niekto ste pisali, ze by ste sli na workshop conceptart.org, nuz mate prilezitost v marci:)

Dallas Texas March 28-31 2009 is hosting our latest workshop: Reverie.
The upcoming workshop in Dallas is going to be a big one. ConceptArt.Org and Massive Black is bringing you four days of inspiration, instruction, raw creative motivation...and plenty of opportunity. We have put together a stellar list of instructors, great sponsors, and a fresh program covering aspects from the games, toy, film, and Fine Art industries. The venue is beautiful and have more planned than ever before. When I say we have more planned, I am saying we are pulling out all the stops. Art, jobs, culture, music, performers, creative education, training, and even more will be happening. We have a great list of sponsors including Google, SMU, the Guildhall, ReelFX, the prestigious AFI film festival (Dallas), Corel and many others. This is going to be a big show with more art than ever before

Marko Djurdjevic - Illustrator-Concept Artist- Marvel
Jason Chan - Sr. Concept Artist - Massive Black/ConceptArt.Org
El Coro-Art Director - Massive Black Inc.
Justin Sweet- Art Director/Illustrator/Concept Artist - Carbon Canyon Studios
Vance Kovacs - 2d/3d Concept Artist/Art Director/Illustrator - Carbon Canyon Studios
Frank Beddor- Producer/Writer/Creator- Automatic Pictures (Something About Mary, Looking Glass Wars)
Paul Jaquays- Senior Artist- Ensemble Studios (Independent)
Dan Milligan- Storyboard Artist - Independent
Andrew Jones - Massive Black/ConceptArt.Org
J.E. Sawyer - Lead Designer - Obsidian Entertainment
Jason Manley - President Massive Black/ConceptArt.Org
Jeff Brown - Senior Animator- LucasArts
Brett Briley- Senior Modeler - id software
Alex Velazquez - Senior Modeler - id software
Wes Burt - Sr. Concept Artist - Massive Black
Noxizmad - Sr. Concept Artist - Massive Black
Chris Hatala - Animation Director - Massive Black
James Kei - Sr. Concept Artist - Massive Black
Carl Dobsky - Founder ConceptArt Atelier / Fine Artist
Kemp Remillard - Sr. 2d/3d Concept Artist - Massive Black
Rich Doble - Sr. Concept Artist - Massive Black
Sam Brown - 2D/3D Concept Artist - Massive Black
Dan Staton- 3D Studio Director - Massive Black Shanghai
Phil Holland - Cinematographer- Rhythm and Hues
Nick Constantine - Sr. Concept Artist - Massive Black
Whit Brachna- Concept Artist- Massive Black
David Levy - Senior Concept Artist - Steambot
Sammy Hall- Concept Artist - Nintendo
Brad Clark - Technical Artist/Animator - Independent
Greg Manchess - Illustrator
Irene Gallo - Art Director - Tor
Jon Foster - Illustrator
Limbert Fabian - Art Director/Gallery Curator - Reel FX
John Mueller - Art Director - THQ
Dave Dorman - Illustrator - Independent
Aleksi Briclot - Art Director - DontNod Entertainment
Lorne Lanning - Creative Director/Executive- Oddworld Inhabitants
Sherry McKenna - CEO - Oddword Inhabitants
Vitaliy Naymushin - 3d Character Artist - id software
Christopher Appelhans- Senior Concept Artist - FrogHatStudios.com
Jason Felix - Artist - Independent
Marshall Vandruff - Artist/Educator - Independent


Venue and Hotels to be announced shortly. Program schedule TBA. Check out www.conceptart.org/workshop and www.conceptart.org/revelations for previous shows.

TUITION:

$520.00 USD (Before Feb 1st 2009) + includes two free downloads of your choice from media.massiveblack.com)

$555.00 USD (Between Feb 1st - Feb 15th) + includes one free download from media.massiveblack.com)

$595.00 USD (From Feb 15th - March 28th)

FULL REFUNDS GRANTED UP TO FEB 15TH (MINUS BANK FEES)

Here is the Tuition link: http://www.conceptartstore.com/redwo20.html

sam spravil 250 ci kolko:)
http://en.wikipedia.org/wiki/List_of_Pokémon
http://www.legendarypokemon.net/dp/pokedex/1/

edit: je to take skvele, ze hardlinkujem do conceptart fora, aj ked dost velmi ot, dufam ze vam nevadi

massive black vydava knihu http://conceptart.org/forums/showthread.php?p=2053464#post2053464

1, 2, 3, 4, 5, 6,

gallery

cgsociety gallery

more pic here: http://io9.com/5081729/terminator-4-concept-art-shows-half-breed-robo-killers

Tak tento chlapik je dokonaly v tom co robi >









http://www.ghull.com

http://alexruizart.com

Min Yum ( http://minart.net ), rozhovor z http://www.lastmanart.com



Hello, Mr. Yum, keeper of the world's most delicious name. I've got a few questions for you, all of them extremely serious and not to be taken lightly. Can you give us a little background info... what you're about, where you've been, what you're up to?
B: (My dad actually spelt it wrong, it should have been Yeom, but kinda got stuck with Yum. You can imagine all the excitement I had through high school). I was born in Korea 1980, got on a boat and moved to Australia in 1990 with the family.. skipped most of school life because I was a crappy student, scored last in art class. I wasn't into art much until I discovered CA.org at 25 and decided to have a crack at being a concept artist... completely changed my life since.

My first job was with IR Gurus, a game studio in Melbourne, kindly gave me a chance to learn and have a taste of what it was like in the industry. Fast forward two years with few stops in between, and I'm now working on Wolverine movie.


What is your process when working on an illustration? Do you do any preliminary studies or sketches first or do you dive right in?
B:Sketches and thumbnails to kick things off, and sometimes I just doodle and make something of it. I try visualising but usually ends up being pink when I do.


Do you carry out most of your pieces solely digitally, or do you work traditionally as well? What program are you doing most of your digital work in?
B:All digital. I do sketch with good old paper and pencil, but only if I am outside which isn't very much these days. I am looking at getting my hands dirty with traditional soon, once I get some space to do it. Photoshop is the main weapon of choice for now.


You pound out a lot of quality work in what seems like no time at all. What is your personal ritual for getting around an artistic block?
B:I guess we all have our good days and bad, you've probably seen me on a good day or something. Art slump! I get few of those through the year. It really is a vicious cycle, but I think it's important process as well. It allows you to take a step back and see why you are not moving forward. While it can be annoying and frustrating we all know it will pass. I believe so and I just keep doing what I do.. :)


Do you have a secret art regimine to keep on your toes?
B:Studies and studies? :D

I check out what others been upto, usually ends up with a cold hard slap across the face though. Good old chit chat with artist friends and gossip about things...


What are your long term goals for your art, professionally and personally?
B:My ultimate goal has been the same since the start, do my own comic. But it's something I am looking to do later. For the moment, keep working and do lots of studies... don't quite have anything else in mind except to improve.


Was a career in art always your ultimate goal, or were you almost lured down another job path along the way?
B:I've had other careers... none which I enjoyed much. But I guess I just didn't know anything better to do back then. I'm extremely lucky and thankful to have found something I really enjoy.


I've heard you have a tail. If this is true, why do you hide it?
B:Oh... I thought we all had one?!? You showed me yours!!!


Enough with the serious questions. What's the shittiest job you've ever had?
B:Oh man... seriously all my previous joba have sucked. Working at Samsung maybe? I had no idea what it was about and worked for 2 years there.


What influences your art these days? What are you reading, watching, listening to...
B:Rich colours always excite me and lots of influences from other artist friends. :D Can't remember the last time I read a novel, but I've been reading "Blade of Immortal" & "Berserk" (does that count?).I love watching anime! I remember watching "Beck" while I was starting out with drawing. It helped me a lot (yeah it is weird...). As for music, k & j pop... anime music...


Did you end up ever having to serve any time in prison for doing those terrible, naked things in the Alpaca cage at the zoo?
B:Fortunately no, despite my troubled youth...


Any parting words for all the Yumheads out there? Bits of advice for artists just getting started?
B:Have patience, take your time... enjoy and be proud of what you do and never stop learning... I think... Still trying to figure it out myself. :)


You do some damn fine work, Mr. Yum. Thanks for the mammories.
B:Thanks so much for running LMS, organising all this... are you sure about this? :P

Cheers dude, look forward to our pillow fight in future!

http://www.crayonboxofdoom.blogspot.com

koncepty k druhej Narnii (viac na http://justinsweet.com )