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I have a new camera and I like it. It's digital, it's fast, and it's furious. Most of the pictures on this site were taken with it. In the back of my mind, though, I've always known that it missed something. I hadn't been able to put my finger on what it missed, though, until the other day when I checked out Antonioni's classic movie Blow Up (1966), and suddenly realized what it is: the ability to be used in hand to hand combat.

I haven't even seen the entire movie yet because the DVD started skipping, but it's about a detached fashion photographer in "swinging" or "mod" London. It's cool. My epiphany came during a scene where the main character, the photographer, drives up somewhere in his convertable, parks, opens his glove box, and lifts out his 35mm. This was 1966. And the thing is, what struck me, is how you could tell that this thing had some weight to it. I'm not clever enough to know what make of SLR it is, but it was clearly metal, and its parts were metal; when he fits it to his palm, you can almost hear tiny mechanical noises of parts, tiny metal parts, operating or hitting his skin. And all he was doing was holding it. Look at it in the poster there . . . in the film, he doesn't use it to strike the lady under him or anything (well, maybe metaphorically he does) or anybody else as far as I know. But if he found himself surrounded in an alley, I bet he could start swinging that thing and take out a few people.

On the other hand, my camera is plastic. It's nice, and does nice things, but when I put it into my hand, I might as well be picking up a Happy Meal. I can tell myself that all that really matters is how the pictures turn out, but that's like saying that cars are only about getting you to work on time. *sigh* I'm not a violent person, but I wish that if I ever needed to clonk someone over the head with my camera, it would hurt them.

http://monkey-squirrel.blogspot.com/

Presne take pocity mam ked porovnam moje eos 3 s 300d napr.

btw ten film stahujem




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tomas
 tomas      28.03.2006 - 23:56:41 , level: 1, UP   NEW
tak ten film ma sice dobre komenty na imdb ale nechapem preco.
mna teda nebavil

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maniac
 maniac      29.03.2006 - 00:25:46 , level: 2, UP   NEW
takze sa neoplati pozerat?

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schubro
 schubro      30.03.2006 - 22:41:37 , level: 3, UP   NEW
podla mna sa ten film urcite oplati pozriet si.
Tiez si ho velmi dobre uz nepamatam a cisto nahodou mam teraz pozicane DVD. Pamatam si hlavne z neho silnu atmosferu.
Taktiez je vsetko otazka vkusu, kto ake filmy ma rad. urcite by som ale k filmu nepristupovala len z perspektivy fotografie. Znamenalo by to redukovat ho len na jeden rozmer a potom moze byt clovek naozaj sklamany.

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epxd
 epxd      29.03.2006 - 11:52:55 (modif: 29.03.2006 - 11:54:49), level: 3, UP   NEW !!CONTENT CHANGED!!
blow up urcite ano .) typek je haluzar, dej je haluzny, veery stajlish
podivna atmosfera, farby ako z mechanickeho pomaranca alebo co, kazdopadne mi ostal v hlave

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tomas
 tomas      29.03.2006 - 23:06:11 , level: 4, UP   NEW
haluz ako haluz.
mne to pripadalo skor taka haluz sama pre seba.
ze farby ako z mechanickeho pomaranca moze byt

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petrograph[Locked_OUT]
 petrograph[Locked_OUT]      30.03.2006 - 08:54:08 , level: 5, UP   NEW
zvacsenina je predsa kultovy film.
dokonca mnoho teoretikov fotografie sa nan dost casto odvolava..
ale je to uz stary film, takze v dnesnej dobe moze posobit trochu "prazdno"

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tomas
 tomas      30.03.2006 - 09:12:26 , level: 6, UP   NEW
viem ze je kultovy len som nepochopil preco. nevies mi to vysvetlit?
ja nemam problemy so starymi filmami.len toto mi prislo cele prehnane, preafektovane a take efekt pre efekt.

btw je zaujem o upload alebo torrent?

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petrograph[Locked_OUT]
 petrograph[Locked_OUT]      30.03.2006 - 09:36:43 , level: 7, UP   NEW
dik moc, ak je to kvalitna verzia, tak by som asi aj potiahol.
ja si ten film uplne dobre nepamatam, ale dolezitym tam bol fakt, ze pomocou fotky, na ktorej na prvy pohlad nebolo nic zvlastne, objavil urcite, velmi dramaticke suvislosti (nechcem prezradzat dej).. zachytena realita zmenila svoj vyznam prave velkym zvacsenim atd.. tam sa na tom dost vyhravali vselijake filozoficke uvahy o zmysle fotografie a o jej vztahu k realite.
susan sontagova to tiez rozoberala vo svojej knihe "o fotografii" (inac pre mna jedna zo zasadnych knih o teorii fotografie). skusim nieco pohladat..

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tomas
 tomas      30.03.2006 - 21:44:06 , level: 8, UP   NEW
ok.skusim uploadnut.snad mi nebude padat upload.ak nie tak torrent

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petrograph[Locked_OUT]
 petrograph[Locked_OUT]      31.03.2006 - 16:10:37 , level: 9, UP   NEW
vdaka

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tomas
 tomas      31.03.2006 - 20:20:53 , level: 10, UP   NEW
po realistickom uvazeni padavosti mojho uploadu som dosiel k zavere ze ak niekto nemate ftp tak si to musite stiahnut cez torrent ktory seedujem http://ts.searching.com/torrent/224788/Blow_Up_1966

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tomas
 tomas      29.03.2006 - 01:22:25 , level: 3, UP   NEW
ani nie