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Skutočné straty nahrávacích spoločností spôsobené kopírovaním hudby cez internet sú takmer 30-krát nižšie, než uvádzajú samotné firmy. Tvrdí to Michael Geist, vedúci výskumu v oblasti internetového práva na univerzite v Ottawe. Ten vo svojej najnovšej štúdii na príklade Kanady poukazuje aj na to, že príjmy umelcov z daní uvalených na čisté médiá či kopírky sú navyše zrejme vyššie, ako straty umelcov spôsobené kopírovaním.
http://pocitace.sme.sk/clanok.asp?cl=2232302
http://firstmonday.org/issues/issue10_4/geist/




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gnd
 gnd      25.05.2005 - 03:59:05 , level: 1, UP   NEW
no krasne! :) a ooo aky akcny jazyk:

The Canadian government has been the target of intense lobbying for stronger copyright legislation in recent months. Led by the music industry, which claims that it has experienced significant financial losses due to music downloading, the campaign culminated in November 2004 with a lobby day on Parliament Hill [1].

The campaign is premised on three key pillars. First, that the Canadian recording industry has sustained significant financial losses in recent years due to decreased music sales. Second, that those losses can be attributed to peer–to–peer file sharing. Third, that the losses have materially harmed Canadian artists.

The time has come to acknowledge that each of these pillars is a myth.