Alexandr Sokurov is a Russian director of avant-garde and independent films that have won him international acclaim. Creator of the first "unedited" film, with a continuous shot lasting around 90 minutes. He was born with a disability because of an anatomic defect of his leg, in 1951 in Podorvikha village in Siberian Russia. His father was a Red Army veteran of WW2. One of most important contemporary filmmakers, Sokurov worked extensively in television and later graduated from the prestigious film school, VGIK, in 1979. His films often created tensions with the Soviet authorities but he received great support from such outstanding film masters as Andrei Tarkovsky. Particularly, after the collapse of the regime, Sokurov's films started earning him numerous awards around the world. While most known for his feature films, Sokurov has directed over 20 interesting documentaries. His 2002 sensational "Russian Ark" is a historic achievement that will be watched and talked about by many generations.

30.04.1956 - Copenhagen, Denmark


Dancer in the Dark (00)
Dogville (03)
Manderlay (05)
Antikrist (09)
Melancholia (11)
Nymphomaniac (13)

Paul Thomas Anderson
We're all children of Kubrick, aren't we? Is there anything you can do that he hasn't done?



Mini Biography

Like Jean Renoir and Max Ophüls, most of Paul Thomas Anderson's films are characterized by a constantly moving camera. Like François Truffaut and Martin Scorsese, his films are the work of a man with an encyclopaedic knowledge of film and film technique, who is able to make tried and true techniques as fresh and as vibrant as when D.W. Griffith first started to discover them. Like Robert Altman, Anderson thrives on working with large ensembles of actors. Like Steven Spielberg and Tim Burton, his films often depict the suburban U.S. as a place of alienation, and his characters are often alienated people who must in some way or another learn to assimilate themselves into some kind of family environment.

Filmography

(1996) Sydney
(1997) Boogie Nights
(1999) Magnólia
(2002) Punch Drunk Love
(2007) There Will Be Blood
NEW (2012) The Master

Links:

IMBD
CSFD
FANCLUB

František Vláčil st.

diskusia, výmena informácií o živote a filmoch najvýznamnejšieho českého režiséra





užitočné odkazy :

české stránky servera nostalghia.cz venované Vláčilovi

CSFD

Filmografia


1987 - Mág
1985 - Albert (TV film)
1984 - Stín kapradiny
1983 - Pasáček z doliny
1981 - Hadí jed
1979 - Koncert na konci léta
1977 - Stíny horkého léta
1976 - Dým bramborové natě
1974 - Sirius
1973 - Pověst o stříbrné jedli
1969 - Adelheid
1967 - Marketa Lazarová
1967 - Údolí včel
1961 - Ďáblova past
1960 - Holubice
1959 - Vstup zakázán
1958 - Skleněná oblaka



forum under construction

"I make my pictures for what Hollywood spends on lipstick" - Maya Deren



Filmy Maye Derenovej nás oslobodzujú od štúdií: obdarúvajú naše oči skutočnosťami, ktoré obsahujú hlboký psychologický význam: udávajú našim srdciam takt, tlčie alebo odlieta..
Človek sa ocitá v realite filmových skutočností, ktorí Maya Deren zachytáva v momente, keď objektív spolupracuje ako pozoruhodný objaviteľ. Títo obnova kontaktu medzi filmom a podstatnou časťou jeho výrazových prostreidkov tak otvára mnohé možnosti využitia inteligencie, citlivosti a vynachádzavosti pri tvorbe básní. Poézia je napokon sviatkom, ktorý obohacuje život tých, čo vedia príjmať a chápať očami a srdcom



S jej schopnosťou jasne snívať a z prúdu podvedomia vytiahnuť to, čo je podctatné, ovláda takúto transkripciu s veľkou šikovnosťou a obrovským citom pre význam pohyblivého obrazu

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Maya Deren is a volumptuous, ripe Alice in her Wonderland of films, a curious kitten floating, scraping and/or swimming through various dreamscapes, the pleasures and pains of the adventure of life, as it seems each encounter with a man in a suit and a record player and chess set and key seems to be seen through these fantastical glasses that is Deren's eyes.
In "At Land", the Venus brew spits out a flesh and blood maiden, neither vulnerable or strong, who spends the next 15 minutes going through various portals (seamlessly edited), every step of her journey creating a solidity towards a deeper understanding.
Deren was one of the few in her day to help pave "experimental" film as a valid expression of art in a world of big budget fluff "pictures". Though her film credentials are tiny compared to the Fellini and Bergman over the sea, Deren was integral in education and support for film and wrote intensely about theory, integrating her hunger for mysticism and philosophy alike in what is the energy, the flame, of film and what makes any artist come alive.
any artist come alive.

It is too easy to say that Deren explored feminist themes or was a strong feminist role model, as any woman who integrates the personal and pioneers in any realm will be pointedly called. In the 1940's housewifery of it all, the way that everyday objects become part of a fantastical landscape, knives & chess pieces become metaphors, the self is divided by purpose and presence and peril, there may be a larger argument to say Deren was a feminist, and so be it. Deren was a feminist. I don't believe that the term reduces her but I do believe that saying she was a "feminist filmmaker" is a bit reductive. She seemed to surpass gender through harboring a true magickal energy, that may have been fairly derived from the nectar of Goddess-divine integrations certainly, but seemed to have moved many, regardless of her anatomy or subject matter. She did not seem determined to prove herself as a woman or to educate anyone on a social matter. She seemed mostly in want to express herself and her point of view. And what a magnificently delicious point of view it was!




Bola prvá, kto ukázal, aký zmyselný a vzrušujúci može byt undergroundový film. Rozsahon neveľká tvorba Maye Derenovej pozostáva bez výnimky z nadčasových diel patriacich ku klasike avantgardného filmu





Films by Maya Deren

Meshes of the Afternoon, by Maya Deren and Alexander Hammid, 1943, 16mm, 14 min.Music by Teiji Ito added 1959.
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Derenovej prvý film z roku 1943, ešte vyslovene vyhlasuje dej za sen. Oči Maye Deren, ktorá tu hrá hlavnú úlohu, sa zatvárajú a dej sa opakuje ako v časovej slučke. Divák je svedkom skúšania rozličných variacií a ich zavrhovania až kým nejaký muž nepobozká spiacu ženu a sen sa neskončí..
Tento film možno opásať ako choreografickú kreáciu Derenovej a kamery..
Derenová nás konfrontuje s priestorovými udalosťami, ktoré si vytvárajú rytmus a umožnuje nám uniknúť pred filmovým klamom..
Inšpirácia Davida Lyncha..




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At Land , 1944, 16mm ,15 min silent. Photographed with the assistance of Hella Heyman and Alexander Hammid.
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Film z roku 1944 v ktorom Derenová mení perspektívu, čas a úrovne reality, až kým sa otázky o mieste a čase nezdajú celkom vedľajšími a bezvyznámnymi. Dokonca aj zápletka, bez ktorej, ako sa zdá sa nezaobíde žiadny,,skutočný,,film, zostáva na polceste..
Film At Land je vytvorený z emocií, zo spomienok na telesné pocity, z čohosi prchavého, čo je nepostihnuteľné rečou, no napriek tomu je to dokonale zrozumiteľné..
At Land je film, o ktorom si myslíme, že ho skor snívame, než vidíme..

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A Study in Choreography for Camera, 1945, by Maya Deren and Talley Beatty, 16mm,4 min., silent.

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Film A Study in Choreography z roku 1945 je Derenovej odpoveď na pompézne filmové arabesky režiséra a choreografa Busbyho Berkeleyho, v ktorej sa redukciou sústreďuje na to, čo je na tanci podstatné.Stredobodom pozornosti nieje ornamentalny mechanizmus, ale samotné hnacie sily, ktoré celý mechanizmus uvádzajú do pohybu..
Keď sa Derenová význava, že vo filme može sve nechať tancovať, tak má na mysli presne vyvesenie sveta z pántov a uvoľnenie, ktoré so sebou prináša..

Jej predstava o pohybe ako meditácií, ktorú skúmala vo svojich choreografiách a ktorá ju neskor priviedla ku kultu vúdu na Haiti, poukazuje na hľadanie, ktorí ju vedie hlbšie, ako je vonkajšia stránka vecí a vypovedá u duchovne, ktoré v čase, ked žila Derenová, vyvolávalo skor údiv ako obdiv..

The Guggenheim grant enabled Deren to finance travel to Haiti to pursue her interest in voodoo.
In Haiti, Deren not only filmed many hours of voodoo ritual, but also participated in them, and adopted the religion.
All of the original film, wire recordings, and notes are held in the Maya Deren Collection at Boston University.


http://www.travelinghaiti.com/haitian_voodoo.asp

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Ritual in Transfigured Time, 1945-46, 16mm, 15 min, silent. With appearances by Rita Christiani and Frank Westbrook. Choreographic collaboration by Frank Westbrook.
Photographed by Hella Heyman.

___________________________________________________



Film je kontinuita stanovená na gesto.Tento film začína v domácom prostredí, neskor sa rozvinie v ,,party scene,,a vyvrcholí vo vonkajšom prostredí.
Realistickym aspektom je priebežne sa prepravovať v atmosfére vdaka tanečným rytmom.

Skúma strach z odmietnutia a slobodu vyjadrovania v rituáli opúšťania..
,,Oddestilovanie mysle,, - symbolické kvality su často samé o sebe cieľom nie prostriedkom..

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Meditation on Violence, 1948, 16mm 12 min., sound. Chinese flute and Haitian
drum music arranged by Maya Deren. Performance by Chao-li Chi.

___________________________________________________




Tzv, zakrývanie rozdielov medzi krásou a nasilnámi prejavmi..
In Meditation on Violence, Maya Deren captures and recreates a Haitian dancer's intense momentum, editing close-ups and medium shots together well. The three-part structure, where the dancer wears a costume in the 2nd part while he is topless in the 1st and 3rd, adds visual and psychological dynamics


___________________________________________________


The Very Eye of Night, 1952-55 (released 1959) 16mm, 15 min., sound. Made in collaboration
with the Metropolitan Opera Ballet School students under the direction
of Antony Tudor. Music by Teiji Ito.

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Na filme spolupracovala s baletnou školou Metropolitnej opery a baletným choreografom Antonym Tudorom. Celý film sa premieta ako fotografia v negatíve..
Once past Maya's macabre films & the sentimental cat film, her primary obsession appears to be dance.
Maya had done a preliminary version of The Very Eye of Night which she completed & never released, perhaps realizing it didn't capture her vision quite right.
It has a scarier look than Eye which seems not to have been intentional. Without the assistance of a world-class choreographer which she had for Eye, Ensemble in the main fails; although, if the finer version had never been made, beside which Ensemble pales, it might've stood as an interesting slightly shoddy experiment.





If I go insane, please don't put your wires in my brain

Coen Brothers
(Joel Coen and Ethan Coen)



~ mini biography ~

Joel Coen (born November 29, 1954) and Ethan Coen (born September 21, 1957) grew up in St. Louis Park, Minnesota, a suburb of Minneapolis.[3] Their parents, Edward and Rena Coen, both Jewish, were professors, their father an economist at the University of Minnesota and their mother an art historian at St. Cloud State University.

When they were children, Joel saved money from mowing lawns to buy a Vivitar Super 8 camera. Together, the brothers remade movies they saw on television with a neighborhood kid, Mark Zimering ("Zeimers"), as the star. Their first attempt was a romp titled, Henry Kissinger, Man on the Go. Cornel Wilde's The Naked Prey (1966) became their Zeimers in Zambia,[4] which also featured Ethan as a native with a spear.

The brothers graduated from St. Louis Park (MN) High School in 1973 and 1976. They both also graduated from Simon's Rock College of Bard in Great Barrington, Massachusetts.[3] Joel then spent four years in the undergraduate film program at New York University where he made a 30-minute thesis film called Soundings. The film depicted a woman engaged in sex with her deaf boyfriend while verbally fantasizing about having sex with her boyfriend's best friend, who is listening in the next room. Ethan went on to Princeton University and earned an undergraduate degree in philosophy in 1979.[3] His senior thesis was a 41-page essay, "Two Views of Wittgenstein's Later Philosophy."

In the late 1970s, both brothers lived in the Weinstein dormitory at 5-11 University Place, an NYU dorm noted for housing such creatives as Ralph Bakshi, Rick Rubin, and film makers Chris Columbus and Dan Goldman.


~ filmography ~

(1984) Blood Simple
(1987) Raising Arizona
(1990) Miller's Crossing>
(1991) Barton Fink
(1994) The Hudsucker Proxy
(1996) Fargo
(1998) The Big Lebowski
(2000) O Brother, Where Art Thou?
(2001) The Man Who Wasn't There
(2003) Intolerable Cruelty
(2004) Ladykillers
(2006) Paris, je t'aime
(2007) No Country for Old Men
(2008) Burn After Reading
NEW (2009) A Serious Man


links:

download_filmography | coenbrothers.net | wikipedia

...o idiolekte dvorného blázna s vysokým identifikačným potenciálom;
...o tom, ako si newyorský scénarista a režisér sám pre seba natáča pajácovské filmy;
...o tom, ako sa človek dokáže stať citlivým na kdejaké jednania zo životom a smrťou, na módne témy ako snobizmus a mafia, zneužívanie liekov či (ne)plodné intelektuálske úvahy;
...o diazepame a hypochondrii...
ALE AJ
...o New Yorku;
...o hĺbke a didaktickej pointe;
...o hrdinoch a jazze.

...O FILMOCH WOODYHO ALLENA...

Prečo ho milujeme? A prečo ho "tí druhí" nemilujú... :)



Ktorým filmom TO začalo? Ktorou "hláškou" TO začalo? Ktorou scénou TO začalo? Rozoberáme všetko všetučko... Protagonistov, hudbu, kameru, kulisy...

David Fincher







"Nechodil som na filmovú školu, pretože som to nepotreboval.
Čo je to réžia zistíte až po tom čo sa začne stmievať
a vy máte ešte stihnúť natočiť tri scény."


Alien ³
Se7en
The Game
Fight Club
Panic Room
Zodiac



imdb_http://www.imdb.com/name/nm0000399/
csfd_http://www.csfd.cz/reziser/2895-david-fincher/
wiki_http://en.wikipedia.org/wiki/David_Fincher

Tim BurTon




Každý od neho niečo videl..len o tom ešte nevie°)

Réžia:

2007 Sweeney Todd .......... fotos
2005 Charlie a továreň na čokoládu (Charlie and the Chocolate Factory)
2005 Mrtvá nevesta Tima Burtona (Corpse Bride) wiki
2003 Veľká ryba (Big Fish) .......... torrent
2001 Planéta opíc (Planet of the Apes)
2000 The World of Stainboy
1999 Ospalá diera (Sleepy hollow)
1996 Mars útočí (Mars Attacks!)
1994 Ed Wood .......... torrent
1992 Batman sa vracia (Batman Returns)
1990 Nožnicovoruký Edward

1989 Batman
1988 Beetlejuice
1985 Pee-Weeho veľké dobrodružstvo (Pee-wee's Big Adventure)
1984 Frankenweenie .......... part 1 part 2 part 3
1982 Luau
1982 Vincent
1979 Doctor of Doom


Produkcia:

2008 9
1996 Jakub a obrovská broskyňa (James and the Giant Peach)
1995 Batman navždy (Batman Forever)
1994 Cabin Boy
1993 The Nightmare Before Christmas .......... torrent




Danny Elfman a jeho temna mjuzik

Tim Burton Collective

Martin Scorsese, american talianskeho povodu, reziser filmov ako taxi driver, raging bull,
godfellaz, casino, kundun, najnovsie aviator. ak ti to nic nehovori, urob s tym nieco.
Ak sa chcete podelit o pocity zo zhliadnuteho filmu, znameho ci uz menej znameho, alebo ste
vystopovali nieco, o co sa chcete podelit, bla bla bla, piste co chcete pokial nie je moc OT.
Moj subjektivny nazor je ze obcasna hadka neni na skodu aj ked neviem v com by mohol byt problem,
no anyway hadajte sa, picujte, chvalte, ...

nieco z imdb.com

fanusikovska stranka

neoficialna stranka

David "Deprave" Cronenberg, also known as the King of Venereal Horror or the Baron of blood, was born in Toronto, Ontario, Canada in 1943. His father was a journalist, and his mother was a piano player. After showing an inclination for literature at an early age (he wrote and published serie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from Toronto University with a degree in Literature, after quitting the Scientific Department. He reached the cult status of horrormeister with the gore-filled, modern vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent filmmaking and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal filmmaking identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre moviemaker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996/I) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. Cronenberg continues to be an active filmmaker today.

---

Transfer (1966) From the Drain (1967) Stereo (1969) Crimes of the Future (1970) Tourettes (TV-1971) Letter from Michelangelo (TV-1971) Jim Ritchie Sculptor (TV-1971) Winter Garden (TV-1972) Scarborough Bluffs (TV-1972) Lakeshore (TV-1972) In the Dirt (TV-1972) Fort York (TV-1972) Don Valley (TV-1972) Shivers (1975) Rabid (1977) Fast Company (1979) The Brood (1979) Scanners (1981) Videodrome (1983) The Dead Zone (1983) The Fly (1986) Dead Ringers (1988) Naked Lunch (1991) M Butterfly (1993) Crash (1996) eXistenZ (1999) Camera (2000) Spider (2002) A History of Violence (2005) Eastern Promises (2007)

TV Series - at least 1 episode: Programme X (1972) Peep Show (1975) Teleplay (1976) Friday the 13th (1987) Scales of Justice (1990)

---

Movie sites:
Spider | JasonX | Crash | A History Of Violence | Eastern Promises

Links:
NEWS | IMDB info | Wikipedia info | Reviews


Fan sites:
DavidCronenberg.de | Plasmapool | Senses Of Cinema


Books:



Interviews:
David Cronenberg and Viggo Mortensen in Denmark, (TV 2, 12 mins, wmv)
David Cronenberg in Cannes 2005, (arte May 2005, 3 mins, wmv)
Cronenberg and Mortensen in Cannes 2005, (TV 5 le journal, 2 mins wmv)
unedited David Cronenberg Crash interview (52 mins, wmv)
David Cronenberg - Cinema of the Extreme, BBC , 21 mins, wmv)
Holly Hunter Crash interview, Dublin FF (2:20, wmv)
Master of Menace Cronenberg documentary (Bravo TV, 22 mins, .wmv)
brief German television feature on A History of Violence (3Sat, May 2005, wmv)
Crash feature (BBC, 1997, 6 mins, .wmv)
Crash on UK MTV (2:34 mins, .wmv)


Scripts:
Crash | Naked Lunch | The Fly


Camera (2000) 7 min / From the Drain (1967) 13min

         

Nech boli Posledna sprava o konci sveta a Post Coitum akokolvek napicu, fakt je ze nakrutil moj najoblubenejsi slovensky film Perinbabu (tesne za nou je Sedim na konari a je mi dobre), na ktoru sa nechytaju ani Pachovia, ani Kapitanovia Dabacovia, a imho ani Obchody na korze. Forum o nom, jeho filmoch, a aj o tom, ci sa niekde hlboko vo VSMU nenachadza nejaky mlady reziser co ho strci do vrecka.

Links:
|Filmy
|Imdb
|Novy projekt

o islandskej kinematografii a azda aj veciach s nou suvisiacich (.ako napriklad o literature)

celkom isto ten najznamejsi sucasny islandsky reziser ::: fridrik þór fridriksson__Filmy : 1987: Skytturnar (Biele veľryby) + scenár, producent; 1991: Deti prírody (Börn náttúrunnar) + scenár, producent; 1994: Bíódagar (Dni filmu) + scenár, producent; 1995: Zimnica (Á köldum klaka) + scenár; 1996: Diablov ostrov (Djöflayjan); 1999: Anjeli univerza (Englar alheimsins); 2000: On Top Down Under (Hore a dolu) – 2002: Sokoli (Fálkar / Falcons) + spol. scenár, prod.; 2004: Niceland

literati suvisiaci s jeho filmami ::: Einar Karáson (fæddist 24. nóvember 1955 í Reykjavík), Einar Mar Gumundsson

par inych reziserov ci uz znamych alebo aj nie tak celkom::: baltasar kormákur (101 reykjavík, the sea); rúnar rúnarsson (sídasti bærinn í dalnum), silja hauksdóttir, egill edvardsson,

par liniek

:: islandský národný filmový archív (zatial iba v islandstine) ::
:: literatúra/možno natrafíte na budúci film .) ::
:: íslenska sem erlent mál--keď nestíhate titulky .) ::



zelene okienko vo vyvoji

----

----

Vsetko co sa tyka Reinera Wernera Fassbindera a nemeckej novej vlny

IMDB.com o Fassbinderovi
Nadacia R.W.Fassbindera
Recenzie filmov (ger/eng)
Clanok o Fassbinderovi

    dL´s movies
     Inland Empire (2006) úuuuiii...
     The Short Films of David Lynch (2002) (V)
     Darkened Room (2002)
     Rabbits (2002)
     Mulholland Dr. (2001)
     The Straight Story (1999)
     Lost Highway (1997)
     "Hotel Room" (1993) [TV-Series]
     "On the Air" (1992) [TV-Series]
     Twin Peaks: Fire Walk with Me (1992)
     "American Chronicles" (1990) [TV-Series]
     Wild at Heart (1990)
     Twin Peaks (1990) (TV)
     Industrial Symphony No. 1: The Dream of the Broken Hearted (1990)
     Blue Velvet (1986)
     Dune (1984)
     The Elephant Man (1980)
     Eraserhead (1977)
     The Amputee (1974)
     The Grandmother (1970)
     The Alphabet (1968)
     Six Figures Getting Sick (1966)


    dL´s links
     David lynch & imdb
     http://www.davidlynch.com/
     http://www.lynchnet.com/
     Mulholland Dr. analysis
     http://lynch.euweb.cz/ new
     www.davidlynch.de new

    kyberia.sk´s links
     klub o Mulholland Drive

Všetko čo sa týka Tarkovského.

/okrem poznámok, že jeho filmy sú dlhé a nudné/

Na tomto fóre sa môžete skry?.

Lebo všetko tu plynie pomaly a vláčne.

TARKOVSKIJ

VHS,DVD,VCD

"Sometime the truth of a thing is not so much in the think of it, as in the fell of it..."
Aspon teda vieme ako chapat jeho filmy... Je to genius... Pre nas nezomrel - zvecnil sa v roznych odyseach a pomarancoch...
Just a tribute to him.



BIO

RIESIME SESSION!!!
- rozpraval som sa s pajkusom, vravel ze je schopny nam poziciat projektor (za jednu Vineu a sendvic ;) a tak treba najst nejaku miestnost kde by sme sa pomestili a pustili si to...
- takisto je stale moznost KinoCafe, ale tam to bude asi len od 2000 do 2400, co je tak na jeden a pol filmu...

PLAYLIST (aspon ako-taky)
Urcite sa budu hrat: A Clockwork Orange, 2001: A Space Odysey, Full Metal Jacket
Co z tohoto ete dame: Dr. Strangelove, Barry Lyndon, Lolita, Spartakus (?), ...

Emir Kusturica


”I was born several times, and I'm sure one of my births took place in Cannes.”

~ mini biography ~


Born on 24 November 1954 in Sarajevo, Emir Kusturica ( ) is a Serbian director, musician and producer. Author of nine films, several television and short films, he also plays guitar in a rock band. Among his many prizes, he has received two Golden Palms in Cannes for When father was away on business and Underground, and the silver Bear (Special Jury Prize) in Berlin for Arizona Dream.

~ filmography ~


(imdb links)

Guernica (1978)

Nevjeste dolaze aka The Brides Are Coming (1978)

Bife 'Titanik' (1979)

Sjecas li se Dolly Bell aka Do You Remember Dolly Bell? (1981)

Otec na služobnej ceste / When Father Was Away on Business (1985)

Dům k pověšení / Time of the Gypsies (1988)

Arizona Dream (1993)

Underground / Podzemie (1995)

Čierna mačka, biely kocúr / Black Cat, White Cat(1998)

Super 8 Stories (2001)

Život je čudo / Life Is a Miracle (2004)

Neviditeľné deti / all the invisible children (2005)

Zavet (2007)

Maradona by Kusturica (2008)


Links:

download_filmography | Emir Kusturica [web] | The No Smoking Orchestra

spriatelene fora: YUGOSLAVIJA BALKAN LOUNGE

Director - filmography


Kill Bill (2003)
Jackie Brown (1997)
Four Rooms (1995)
Pulp Fiction (1994)
Reservoir Dogs (1992)
My Best Friend's Birthday (1987)

and many more

watch online/download