"We can propose two models which we can use to think about the relationship (of art and criticism). These two models were discussed in detail by Deleuze and Guattari in their book Mille Plateaux and are those of the tree and the rhizome.

Deleuse and Guattari identified the tree as the model on which traditional and modernistic thinking were based. From a single root grow diverging branches, independent, yet always traceable back to the root.

A rhizomatic structure, on the other hand, has no root, no origin to which it can by referred and which can serve as a limit to the structure. The rhizome is a mesh of unpredictable connections and associations where any point can connect to any other point without necessarily traversing any particular distance.

If this sounds a lot like the descriptions of cyberspace, that is no coincidence. Cyberspace exhibits many of the features of a rhizomatic structure; discourse in cyberspace is free from the constraints of linearity as well as from the limits normally placed on participation in the discourse - the limits imposed by the academic and media systems."


Bez akéhokoľvek kontextu, metatextu, konceptu a podružných významových vrstiev

S plnou akceptáciou neporozumenia zvyšného člena snahy o komunikáciu

Bez nároku na reflexiu, či nebodaj reakciu

V úsilí nestretnú? šum v receptívno-perceptívnom kanáli

Poodchýlim pery

Ústa plné atramentu, ktorý však na papier netrafí

Zúfalý pokus aspoň o komiks vyznieva komicky

Prázdne bubliny praskajú, nulový lettering

Neživia ich vety, trpia malnutríciou slov

Aj kotúč seizmografu ostáva nepopísaný

Neopísateľne biely

Mlčíme

Mŕtvy bod, línia, plocha, farba Výtvarné

Umenie?

Začínam chápa? rizomu

Bolo načase

Violently happy